The up too early error
No explanation for this lowly Nimby Jones-a-like
Consciousness surging ahead of body
Workaholic spirit dragging the battered flesh forward to yet another pseudoglory
Blame it on late night ice cream or doomscrolling or general endstage capitalist malaise enhanced by things like Climate Inferno, the death of democracy, rising costs of existence, et cetera
Paranoiac panic
Sensation of chest cavity exploding doom of lateness
I’m surging forward into a driverly morning
Parts of me still locked up
My targeting system’s not working
I can speak, but the words are limited
I can drive, but it’s rolling dice-call it gamified driving, with that element of chance, right?
I can breathe, but I can’t enjoy it
I can crash car, but I probably won’t mind it in the moment
I can eat, but I can’t taste it
I can work, but I’ll hate it
I can hate it, but I still love the sense of power the firm lets me taste as we influence legislation that makes our masters that extra bit special and everybody else less so
I can love it, but how could I ever tell
By lunch interval I’m about okay or in the vicinity,
hmmm
More like Fake Okay,
Which is better than dead or broke or-
-the After Lunch Era
much less grumpy
I’m thinking how driving, even at my most alert, is still a gamble. I can be perfectly safe, and then some asshole crashes into me at 100 mph just because.
And then I’m thinking my lack of alertness contains Secret Upsides: not enjoying food means I lose weight . . . hating my job means less heartbreak when I get downsized-hell, I might not even notice . . . Climate Inferno and the death of democracy and the affordability crisis encourage me to be less needy, right, cut those pesky needs down to the bone, then cut out the bone, then cut out the cutting out-
Here, it all takes a turn
I’m energy, I’m light, I’m back to the cosmos
My discontented spirit is still surging out ahead of all things, a vanguard of desire
The spirit’s hiring an army of mercenaries to secure my property-thus inspiring other spirits to raise their own private armies-I mean you can only keep up with all the look-a-like Nimby Joneses of this world before you’re in an all out shooting war
There’s this huge pile of toys and weapons and tanks and fighter jets and missiles and sports cars and mansions and fast fashion sweatshops and survival bunkers and waifubot factories and castles and drug labs and ammo dumps and substandard worker dormitories and dragon’s hoards of gold and vast refrigerated complexes filled to bursting with the choicest cuts of alchemically foundational Primum Steakum-and me and all the other Joneses are surging back down from Cosmic Oneness and into the Meats, furiously chasing each other all around the base of the pile shooting and stabbing and bombing each other . . . and I know this all sounds super irresponsible. But we’re all careful about the pile. We’re all fully alert. Our targeting systems are up-to-date and everything.
Here, it all takes a turn.
All us Nimby Joneses who haven’t died in battle bed down for the night. Even though we’re at war with each other, we’re all sleeping together in this big ditch that was supposed to be some new affordable housing development, but we did so much damage with our out-of-control warring that it just became this ever expanding trough of filth where we all gather to sleep like some post-apocalyptic sitcom ensemble trading spiky banter and brawling over blankets and such. There’s this running gag about how all of us keep sneaking into each other’s dreams at night to steal and vandalize and sabotage-it’s actually a very well written show. This shit goes on for, like, fifty seasons.
But one morning we surge awake to find ourselves inside the Final Episode.
The treasure pile is gone.
But it left all us Nimby Joneses a note.
And all us Nimby Joneses see the note . . . and we get it.
At last.
We get it.
Don’t even need to read it.
But, of course, we need that memorable last scene of the camera panning across our scarred, filth-caked faces, our gore stained Brooks Brothers riot gear, our blazing red eyes, our crazily bared teeth, our tears cascading down every last cheek-lotta people got sets of eyeballs installed above their buttocks-as we all sullenly cue up to each take our turn reading the note.
Cue John Sullivan & Wendy Talbot’s theme song from the US version of Dear John . . .

