Showing posts with label POETIC VIDEO GAME REVIEW #9. Show all posts
Showing posts with label POETIC VIDEO GAME REVIEW #9. Show all posts

Monday, December 21, 2020

POETIC VIDEO GAME REVIEW #9: NARC (2005)

 “Want some shit?”


Remember Narc? It was that 1988 arcade game where you could either arrest drug dealers and drug addicts or you could shoot them with your assault rifle or blow them to burning bacon bits with your tactical grenade launcher. 


You had a choice between a super-pig kitted out in a red catsuit with a matching motorcycle helmet or the same super-pig but in blue.


So, red or blue . . . was this a commentary on the bipartisan support for the ultra-repressive Forever Wars on Drugs that the US-of-A pursued so ardently from Nixon ‘til, uh, well it’s still kind of a thing isn’t it? 


Yeah . . . so along came the X-Box and the PS2, and things from video gaming past were resurrected in bigger, bolder, gutsier,nuttier, bustier, beefier, bloodier, ballsier fashion. 


Hence . . . Narc’05. 


“Want some shit?”


Here’s some marketing copy from the back of the insert paper inside the plastic sleeve of a clamshell X-Box case:


BIG HIT $19.95 FRIEND PRICES


Which is kinda funny, right?

It’s a clever way to spin a budget release title. 

It’s not cheap because it’s been stepped on by slave labor and cut with strychnine and

polonium.

No, no, not at all.

These are friend prices.

We love you. 

Like Winston loved Big Brother. 

And you’ll love us right back with the same ardor. 

 

“Want some shit?”


Choose your character.

You got two ways to go:

One dirty cop voiced by Bill Bellamy-remember Bill Bellamy? Actually . . . I do remember Bill Bellamy a little bit-MTV VJ, actor, TV host, and a stand-up comedian who, apparently, coined the term ‘booty call.’ Like . . . he’s the guy that first came up with the concept of the booty call. That’s what his wikipedia page says. What? That’s impressive. Did George Carlin or Richard Pryor or Sam Kinnison or Brother Theodore or Joan Rivers or Redd Foxx or Lenny Bruce or Don Rickles or Jerry Seinfeld actually invent a new term and the concomitant idea said term is meant to express? I’m impressed. 


And another dirty cop voiced by Michael Madsen . . . the straight razor guy who cut off that cop’s ear in Reservoir Dogs. 


I’ll go ahead and save you some trouble: Madsen’s the one you want. 


If you played this piece of junk on X-Box back in the day, you could press a button on your chunky-ass controller that allowed you to sell some of the illegal street drugs you’ve been hoarding for your own personal use to random NPCs on the street.


When you press this button

you cue up a gloriously throaty voice clip from Mr. Madsen


“Want some shit?”


There’s combat.

There’s a dumbfuck story involving corrupt intrigues from Baldy Ol’ Eagleland, USA all the way to Hong Kong, where everybody knows Kung Fu, natch.

You can ingest your confiscated party favors to get temporary superpowers: Flash-like speed, PCP-style invulnerability, and woozy stonerish slow-mo modes.

This game is fuckin’ dumb.

I vaguely recall that the people who produced it paid to have Curtis Mayfield’s Pusherman and Freddie’s Dead on the soundtrack. 

Like people are going to confuse inauthentic product like Narc’05 with Super Fly.

As if.  

This is the bargain basement version of Grand Theft Auto,

and I never liked Grand Theft Auto in the first place

(Retro City Rampage does GTA better than GTA, BTW).


But every time you press that one button


“Want some shit?”


I believe in the cigarette-burnished voice-strings of Mr. Madsen.


“Want some shit?”


This is, really, the only fun to be had in the game.


“Want some shit?”


I can picture in my mind, the actual Michael Madsen, especially his look from Kill Bill, cruising through some nightclub or some illegal farmhouse rave, cowboy hat and all, 


“Want some shit?”


and I believe . . . that I want Philip Glass to compose an opera around this voice clip, and Madsen’s sublimely dumpy exterior-can’t you just hear that driving, cycling, iterating musical minimalism a la The Grid from the Koyaanisqatsi soundtrack? 


BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY

BEEDEEBOODOOBOODOOBOODOO

BEEDEEBOODOOBOODOOBOODOO

BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY

BEEDEEBOODOOBOODOOBOODOO

BEEDEEBOODOOBOODOOBOODOO

DOODOO, DOODOO

DOODOO, DOODOO

DEEDEEDOODOODOODOODOODOO

DEEDEEDOODOODOODOODOODOO

BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY . . .



And then we add to that, at random intervals reminiscent of the voices chanting random sequences of numbers in Einstein on the Beach


“Want some shit?”


And we end up with


BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY

“Want some shit?”

BEEDEEBOODOOBOODOOBOODOO

BEEDEEBOODOOBOODOOBOODOO

“Want some shit?”

BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY

“Want some shit?”

DOODOO, DOODOO

DOODOO, DOODOO

DEEDEEDOODOODOODOODOODOO

DEEDEEDOODOODOODOODOODOO

“Want some shit?”

BOOPITY-BOPPITY, BOOPITY-BOPPITY, BOOPITY-BOPPITY

“Want some shit?”  

. . .


It goes on like that.


Oh, there’s no end in sight.

 

I just need some investors.

 

Philip Glass does commercial gigs, y’know, so I don’t see why he wouldn’t put out for a commission that would exist only to serve my own twisted and capricious whimsies, right?


It just takes a generous fee.

And I can make this shitass lousy fuckin’ world what I want it to be.


These words that I have written . . . here are the most significant thoughts in the global domain of human consciousness at this very moment.


Nothing else rates.

-December 2020. 


Friday, December 11, 2020

POETIC VIDEO GAME REVIEW #8: METAL GEAR SOLID (1998)

 Do you think it's possible to have a heart-to-heart discussion in the heat of battle? 

I think maybe that's the only place to reveal your innermost self. 

Because whatever gets said

no matter how revealing

either you or your enemy will be dead

so there's no cause for regret over telling someone a bunch of next-level embarrassing shit about yourself.  


I think that's why Solid Snake and his boss enemies go on-and-on-and-on in all those interminable cut scenes when you get right down to it. 


Two hearts are revealed, 

but only one has to go on living with what's been said.


If real life were like that, I'd be pleased-as-prank about it. 

Communication is largely an illusion. 

You can't really relate to a stupid person. 

Nor is there any getting along with your local conspiracy theorist or religious fanatic. 

You can only connect with someone who, essentially, already thinks the same as you, and this 'connection' is, like prayer, just talking to yourself. 


But a deadly Enemy . . . there's the only Intimacy that can be had with Another. 


One of us will die, and one of us will live.


If I die, then my problems are over, because I can't feel embarrassment if my ticket's been punched. 


If I live, then, well, I'll probably remember what Enemy said to me, but not forever. 

Memories fade to make room for new memories. 

Like, uh . . . that new item on the Taco Bell menu!

I gotta remember to eat that.

And the pleasure of that worthy event-changing up my Fourth Meal game-that is gonna take up at least one or two slots on my PS1 memory card. 


Adios soul-bearing monologue from whosits that I had to kill last week.

Hello sensual mouth-orgy as I chew up that quadruple cheese pork-steak quesadilla with some of that new limited time only Rectal Napalm hot sauce. 


This is a good deal. 

And only at Taco Bell. 

-December 2020