Monday, February 27, 2023

OPTIONAL RULE #7:


When playing a mech-themed tabletop role-playing game, you may, in the fullness of time, find yourself locked in a death duel with your nemesis: the ace pilot of the enemy side. To draw comparisons from mecha anime: the Char Aznable to your Amuro Ray; the Ypsilon to your Chirico Cuvie; the Alex Rosewater to your Roger Smith. You will, for drama's sake, no doubt clash with your nemesis in single combat, each of your bipedal tanks slugging and blasting and strafing it out to see who survives to tower over a war-torn galaxy buried in the twisted and fused rubble of ambition. If it's a proper close contest, you and your nemesis will bust off all of your ammunition and be forced to grapple and pummel one another hand-to-hand to settle the vendetta. During this death-clench you may stand your ground, do-or-die . . .


. . . or . . .


. . . you may avail yourself of this awesome Optional Rule: Victory By Means of Induced Vadering!


Here's what you do. When you're locked into that final death-clench, you engage your autopilot, you stealthily slip out of your cockpit, and you haul ass to the nearest spaceport. You book a spacefold to the planet where your nemesis's parents live. When you arrive planetside, you clean yourself up, and you put on your Sexy Self, 'cause you're about to seduce the silver, my friend! That's right! You use all of your wiles to seduce one or both of your nemesis's parents, and then you make sure you get your name on all the paperwork, baby! Because you're adopting your nemesis as your own child! BRILLIANT!!!


I think it's pretty slick, at any rate.


Obviously, this path favors player characters with high natural charisma stats and/or those explicitly trained in the arts of seduction. It'll also require quite a bit of research and investigation time, but that should work itself out, since you usually meet your nemesis relatively early on in your character arc, so just block out extra detective time for yourself.


If your nemesis's parents are dead, you may have to multiclass as a necromancer to pull off this particular caper. This will eat up more time. Or you could contract this out to a hired necromancer. This will eat up more money.


If your nemesis was grown in a vat or raised by a robot in an auto-creche-lotta these enemy ace types are war orphans as it turns out-then your task goes from seduction to impersonation. You basically conjure a Mother/Father/Guardian/etc from the psych profile you've compiled of your nemesis. If they're vat-grown, you may end up pulling a Frankenstein Routine-as, say, the military-industrial complex biohacker who oversaw the relevant production line of synthetics-which can be its own kind of fun, for sure!


However you do it, this all leads up to a confrontation where your nemesis comes home victorious . . . but then you jump on the scene to reveal yourself as your nemesis's Mother/Father/Creator/Bio-Vat Maintenance Technician . . . and another Final Battle ensues!


Which is neat, right?


'Cause usually it's the bad guy who gets to pull a cruel twist. But you're the good guy, and you're pulling the cruel twist. Which is a change-up, for sure.


I think it's neat.

PEOPLE GET MAD . . . (#3)


. . . when Star Trek goes away, and then they get mad when Star Trek comes back.


People get mad.

Sunday, February 26, 2023

MONDAY'S THRESHOLD #1:



Below you will find a playlist of music. It is strictly a list. You will find no download links.


Some of the entries say LISTENER'S CHOICE or REDACTED. LISTENER'S CHOICE is, I presume, self-explanatory. A REDACTED song may be treated as a LISTENER'S CHOICE, or you may endeavor to find out what song has been redacted. Or you may skip LISTENER'S CHOICE and REDACTED cuts altogether. I leave it to you.


Here we go . . .


1.Konya wa Hurricane/Kinuko Omori(Bubblegum Crisis OST)


2.Who Turned You On?/Wilson Pickett


3.One Night in Neo Kobe City/Masahiro Ikariko and Motoaki Furukawa (Snatcher Sega CD OST)


4.Can You Speak This?/Henry Rollins


5.Going Under/Devo


6.REDACTED


7.LISTENER'S CHOICE


8.Good Luck/Basement Jaxx featuring Lisa Kekaula


9.Message No.9/Tomoko Tane (Gasaraki OST)


10.Obsession/Animotion


11.Explode/Tay Zonday


12.Wedding Vows in Vegas/ Was (Not Was) featuring Frank Sinatra, Jr.


13.Honoo no Sadame/TETSU (Armored Trooper Votoms OST)


14.Topsy Part Two/Cozy Cole


15.Six Underground/Sneaker Pimps


16.Primal Eyes (The 3rd Birthday version)/Yoko Shimomura (The 3rd Birthday OST)


17.Mr. Roboto/Styx


18.Respect(Lower East Side)/Toshihiko Sahashi (The Big O OST II)


19.Do It Again/Easy Going


20.BUDDY RICH IMPOSSIBLE DRUM SOLO/Audio From YouTube Video


21.Red Zone Fighter/Shiro Sagisu (Megazone 23 Part II OST)


22.Life Is Beautiful/Riyou Kinugasa, Takuya Kobayashi, and Hiromi Mizutani (Deadly Premonition OST)


23.REDACTED


24.Knock Off/Chu Ishikawa (Tokyo Fist OST)


25.Debbie/Architecture In Helsinki


26.LISTENER'S CHOICE


27.Pleasure of Tension/Masahiro Ikariko and Motoaki Furukawa(Snatcher Sega CD OST)


28.Land of Confusion (Extended Version)/Genesis


29.Track 07 (Gouf Custom vs. The MS Team)/Kohei Tanaka (Mobile Suit Gundam The 08th MS Team OST 3)


30.HOT (I need to be Loved, Loved, Loved, Loved)/James Brown


31.Track 08 (Gundam EZ8 vs. Apsaras III)/Kohei Tanaka (Mobile Suit Gundam The 08th MS Team OST 3)


32.End of Desire (Answer Again)/Yoshiaki Ohuchi (M.D.Geist II:Death Force OST)


33.REDACTED


34.Schwarzwald's Speech/Dialogue from The Big O


35.Tyrhung (Classic 8 Bit Version)/Kenichi Arakawa (The Dark Spire OST)


36.200 Years/Henry Gibson (Nashville OST)


37.Destiny/Garrett Morris


38.Auvers Blue/Katteni-Shiyagare (Kemonozume OST) 


39.Quick Joey Small/Kasenetz-Katz Singing Orchestral Circus


40.It's My Life/Talk Talk


41.Ark de Grande City/Takehito Nakazawa and Hiroaki Kagoshima (Genocyber OST II)


42.Hurry Up Tomorrow/The Nu'rons


43.Half Truth/Chu Ishikawa (Tokyo Fist OST)


44.Rikishi's Theme/Masao Yagi (Ashita No Joe OST)


45.There's A Man Outside/Henry Rollins


46.Merciless Soldier/Hironobu Kageyama (M.D.Geist OST)


47.REDACTED


48.REDACTED


49.Invid Theme (The Flower of Life)/Michael Bradley and Steve Wittmack (Robotech OST)


50.Way Out/The Boylords


51.Fashion/David Bowie


52.Final Song and Dance/The Lower Depths(Donzoko) (1957) OST


53.Into Your Heart/Koda Kumi


54.How Far To Paradise /Derek Jackson (Area 88 OVA OST)


55.Festivo/Keiichi Suzuki (Zatoichi (2003)OST)


56.Dunbine Tobu/MIQ (Aura Battler Dunbine OST)


57.Monday Morning/Christina Aguilera


58.REDACTED


59.Pleasure of Tension/Masahiro Ikariko and Motoaki Furukawa (Snatcher Sega CD OST)


60.REDACTED


61.Violence of the Flame/Hironobu Kageyama (M.D.Geist OST)


62.Beauty in the Sleepless Forest/Saki Takaoka (Megazone 23 Part 3 OST)


63.The Fame/Lady Gaga


64.Waltz/Toru Takemitsu (The Face of Another OST)


65.The Woods and the Goddess/Riyou Kinugasa, Takuya Kobayashi, and Hiromi Mizutani (Deadly Premonition OST)


66.Fukkatsu no Ideon/Isao Taira (Space Runaway Ideon OST)


67.A Cruel Angel's Thesis/Yoko Takahashi (Neon Genesis Evangelion OST)


68.Ex Lion Tamer/Henry Rollins cover version


69.Alexandria/Takehito Nakazawa and Hiroaki Kagoshima (Genocyber OST II)


70.Confrontation/Takehito Nakazawa and Hiroaki Kagoshima (Genocyber OST II)


71.Enemy Attack/Ulpio Minucci and Arlon Ober (Robotech OST)


72.Battle Stations/Arlon Ober (Robotech OST)


73.Genocide/Takehito Nakazawa and Hiroaki Kagoshima (Genocyber OST I)


74.The Universe Spreading To Infinity/Hiroshi Miyagawa (Space Battleship Yamato OST)


75.REDACTED


76.White Storm/Masaharu Iwata,Hitoshi Sakimoto, and Hayato Matsuo (Ogre Battle SNES OST)


77.Selene/Chu Ishikawa (Tokyo Fist OST)


78.Komm, susser Tod/Shiro Sagisu and Arianne Schreiber (The End of Evangelion OST)


79.Break the Chinese Sword/Isao Tomita (Zatoichi Meets One-Armed Swordsman OST)


80.Cantata Orbis/Koichi Sugiyama (Ideon: Be Invoked OST)


81.Hyacinth House/The Doors


82.Apologize (Bleecker Street)/Toshihiko Sahashi (The Big O OST II)


83.Main Theme/Mark Morgan (Dark Seed II OST)


. . . AND NEVER STOP LOOKING FOR THE DOOR INTO MONDAY . . .

THE NEW DREAM #11:

 

-something to do with a drunk guy

likes getting pictures of himself

gets known for his hats

like

he puts on the hat

hats, actually

'cause he's got different hats he puts on

for these pictures

things are more festive with hats

one presumes

I think also too

that this guy will spontaneously find hats

wherever he happens to be

usually in shitty, noisy local-bait restaurant-bar type establishments in Florida

like not tourist-bait

local-bait

they have that phony tourism-centric economy

but lotsa parts o'Florida ain't Disney

ain't even Universal

ain't even any malls, y'know, so the phony tourism-centric economy kinda just involutes, and has to suck in the locals with these sortsa food-as-entertainment infantilization schemes,

call it the 'Touristification' of the local genpop-


-I should probably mention hurricanes

'cause this drunk guy talked up re-initializing the hurricane season as a new form of 'immersive tourism venture' wherein people could participate in 'protracted blackout culture' 

which is a funny term for a drunk guy to use

but I think he's talking about mass outages from Category 4s and 5s and 6s and what have you

using marketing to recover opportunity from calamity

emphasizing mythologized notions of 'authenticity' and 'togetherness'

something to do with outdoor grilling

fryin' up eggs on sidewalks

never taking potable water for granted ever again

if you survive-


-at some point

our drunk guy comes to the attention of Christian moral crusader folks

who despise him for his drunkenness, accuse drunk guy of setting a bad example on social media,

gotta protect the kids,

even though this drunk guy's following mostly consists of middle aged white men who resent their wives and children but are too locked into Routine to ever really cut loose,

but then the holy rollers turn out to be molesters and tax cheats,

so the whole thing ends up as kerfuffled fiasco drizzled with bullshit-


-it should be noted

that our drunk guy

built his online following not just on his embarrassingly cringey party pics

but also his long-and-winding rants against political correctness and virtue signaling and so forth,

typical beerdrinker shit

but then the drunk guy posts a sincere one, wherein he wrote searchingly about his need to post himself, to affirm himself, to exist beyond the confines of his own skull, his loneliness, his desire to be the guy that you always remember as a laugher, who takes life as it comes, as the guy with the hats'n'shit,

but now

drunk guy was wondering

"Is that all there is to this life? Or is there something more?!"

this

of course

was prelude to a truly vomitous phase of public piety

a mixture of out-of-context Bible quotes and New Agey daily affirmation memes, with allusions to yoga-but, mercifully, no pics-and meditation,

so,

y'know,

the pseudo-rebel drunk guy

degenerating into right-wing political correctness and religiousy virtue signaling

just as one does

in the benighted state of Florida-


-but comes the turn

God

was listening

God

was

indeed

touched

by our drunk guy's social media posts

and the Lord did preserve him from cancer and heart disease and car crash

God 

for reasons only God knew

blessed our drunk guy 

with 10,000 years of life,

that's 10,000 years of social media posts of party hat pics inside shithole local-bait restaurant-bars-


-yeah,

it got super dark at the end

NOTIONAL HEADLINE #16:

 

REPUBLICANS BAN ALL LITERACY, NUMERACY, AND DISSENT IN FAVOR OF INCOHERENT HOLLERING, FARTS, SHARTS, AND CAR CRASHES.

Tuesday, February 21, 2023

BURNING QUESTIONS IN A UNIVERSE OF MYSTERY #28:


THROWBACK TO 2009:


So, like . . . Canzo Empyrean . . . that's just one of Destro's concussion dreams after getting injured, right? 'Cause he's got that full head, uh, metal, uh, like, all-enclosing mask-so, uh, he must've gotten knocked out in battle-'cause they fire off an unbelievable amount of ordnance on the, uh, the G.I.Joe cartoon show, but nobody ever gets killed. But people are gettin' knocked about, and banged up, so they must catch some kinda damage, right?


Or maybe it's a narcissism deal. Villains are narcissistic. Destro's a villain. Could Canzo Empyrean be fan fiction about Destro-written by Destro himself?! 'Cause he's too impatient to cultivate a proper fanbase?! He's, uh, like, inducing a fan cultural product all on his own!?!?


Dude. I think that's it. Gotta be.

PEOPLE GET MAD . . . (#2)


. . . at the status quo, and then they get mad when things change.


People get mad.

Sunday, February 19, 2023

ONE LINE MOVIE REVIEWS #1: THE LIGHTHOUSE (2019)


Prometheus done fucked up again!

MOVIE REVIEW: INTENTIONS OF MURDER (1964)

 


Directed by Shohei Imamura

Written by Keiji Hasebe and Shohei Imamura

From a novel by Shinji Fujiwara

Cinematography by Shinsaku Himoda

Edited by Mutsuo Tanji

Art Direction by Kimihiko Nakamura

Sound Recorded by Koshiro Jinbo

Music by Toshiro Mayuzumi

Produced by Masayuki Takagi and Jiro Tomoda


Starring

Masumi Harukawa as Sadako Takahashi

Ko Nishimura as Riichi Takahashi

Shigeru Tsuyuguchi as Hiraoka

Yuko Kusunoki as Yoshiko Masuda


. . .


"Oh no! The little mouse ate the big one. He must have been hungry."


. . .


Review by William D. Tucker.


You grow up in a rural part of Japan. You find out about the big city of Tokyo, and all that it has to offer: jobs with decent wages; exciting nightlife; access to culture and learning; the prospect of romance played out against city lights; escape from stifling traditions-


But, alas, you're just a poor girl from a poor family. You'll be spared none of the monstrosity inherent within the deeply misogynist culture that envelops you, that closes in to suffocate you, to crush you, to besiege you on all fronts-


Sadako is a poor girl from the countryside who finds herself in a kinda-sorta marriage to a college librarian named Riichi. They still live quite a ways out from Tokyo, so there's a daily commute involved, but the train system is strong and reliable, if noisy to those who live near the tracks. Sadako and Riichi live near the tracks. Which is probably fine by Riichi who gets off on yelling at and assaulting Sadako. The roar of the train covers up no end of intimate crimes. 


I say that Sadako and Riichi are in a 'kinda-sorta' marriage because while they go through the motions of being a hubby'n'wifey due to the specifics of Japan's family registry system-which I do not claim to fully grasp-Sadako has been denied full acceptance into Riichi's family. The point is that a complex tradition with a force of law behind it is used to ensnare Sadako in an oppressive relationship to Riichi. Riichi gets to make all sorts of patriarchal demands upon Sadako while also fucking around on her with his subordinate library colleague, Yoshiko, and maintain the fiction that he is a perfectly faithful husband. Meanwhile, Sadako is treated as a live-in domestic servant by Riichi and his family. 


Riichi is a thoroughly despicable, nagging, condescending pest of a man-child who demands total submission from Sadako. He's constantly bitching her out for minor transgressions, and demanding that she show him the receipts for various financial expenditures. Sadako is the manager of the household's finances, despite Riichi's nagging. Riichi also forces himself on Sadako sexually, even while demanding that she minister to his chronic asthma. Sadako functions as a live-in nurse to the malingering, abusive Riichi on top of everything else. Riichi's career as a librarian isn't so much about a love of knowledge as it is about the pursuit of status. Riichi comes from a rural farming family who lost most of their men to the war. Presumably, Riichi's asthma saved him from military service and, therefore, death in battle. 


As if this all weren't bad enough, a burglar named Hiraoka attacks Sadako in her home, and rapes her. And then this rapist develops a sick notion that he's actually in love with Sadako and that she should love him back. This rapist stalks her, and Sadako, fearing for her life, tries to appease him. She feels trapped by shame. She has no one she can trust. Sadako even attempts to end her life, but this does not go as planned. Sadako soldiers on through the endless ordeal of her days and nights. 


Intentions of Murder is a kind of horror film wherein the horror springs from perfectly real causes: tradition, misogyny, violent crime, rigid gender roles, loveless marriages, the drudgery of domestic labor, and the stifling lack of choices available to impoverished victims of abuse. The moody black and white widescreen cinematography offers not open vistas but rather shadowy overwhelming enclosures through which Sadako wanders, guided by an all-but-extinguished will to survive. Sadako never quite fights back, but neither does she totally sink beneath her heavy fate. She comes close to poisoning Hiraoka, but cannot bring herself to follow through. Sadako is not a figure of bloody vengeance. Intentions of Murder offers no spectacle of payback to the audience as relief from oppression. Sadako just isn't a violent person even if We the Audience root for her to retaliate against her tormentors. Much of what Riichi demands of her is sanctioned by the larger society which confers unjust advantages upon husbands over their wives. Moreover, Sadako herself has internalized this putrid status quo due to a complex mixture of poverty, community indifference, trauma, and lack of access to information and money. Sadako knows that she deserves a better life even as she adopts a devastating fatalism regarding her suffering.


Intentions of Murder exudes a smothering feeling of sinister fate that reminded me of the irresistible evil power at work in the movie Hereditary, but minus the supernatural. Like I said, it could be viewed as a sort of naturalist horror story. This naturalism is amplified by gritty location shooting accented with some eerie in-camera hallucination sequences as Sadako cracks up due to her traumas. 


Sadako does endure, though, despite the attacks from Riichi and Hiraoka. Whether she has any chance of escaping her situation is left ambiguous. Both of her tormentors are afflicted with serious health defects: Riichi's chronic asthma; Hiraoka seemingly steals to pay for heart medication. There's something approaching a Dick Tracy-esque moralistic logic at play here, wherein the villains have grotesque physical outer manifestations of inner failings, while our heroine, despite her descent into despair, retains a comparative vitality. These violent men are, ultimately, profoundly weak, and are only selected for survival by a bogus system of male supremacy-the same system that led the nation into a calamitous war, it should be noted. Sadako does start to earn some income as a seamstress by film's end, a task she has chosen for herself, but that's all we know for sure. In a world this cruel raw survival constitutes its own form of heroism.