Saturday, November 14, 2020

POETIC VIDEO GAME REVIEW #7: LIBERATION MAIDEN (2012)


100 years into the future

and in response to a foreign invasion aimed at sucking all the spiritual power out of the ley lines coursing through its islands

Japan ditches its parliamentary system of government

and establishes a kind of militarized Shintoist eco-nationalist ultra-presidency concentrated inside a triune structure: 


a flying battleship which contains the executive cabinet;

a flying super robot which finds its home within a hangar aboard the flying battleship;

and the President, who rides on the back of the flying super robot,

obvi,


and, from playing the game, this all seems to work out pretty great. 


You play as the President, who is actually the second president under this new system, and is also the elfin purple-haired teenage daughter of the first president, who was assassinated;


and when you go into battle against the spirit-vampire enemy machines,

you and your super robot can generate a form of super-combo energy

that neither of you, on your own, can create;

but it is only through the mystical union of teenage president and newly manufactured super robot

that you can wield a laser sword of supremacy,

that both obliterates

and purifies.


You see,

as you vanquish the enemy spirit-vampire machines

the decadent cities and industrial complexes of New Japan vanish

and are replaced by verdant forests full of giant trees

like from the poster that came with the original SNES cartridge release of Secret of Mana

and I start to wonder,

“Who is this Enemy? Is it a faction within New Japan itself? Is this a battle within the soul of Japan between Nature and Industry?”
Of course,

as you play the game, you unlock bits of lore-text that characterizes the Enemy as a foreign imperialist invader,

and I observed, “Combat unlocks history. Unlocks technical specs. Unlocks intel about the Enemy. You can only obtain knowledge by fighting.”

You see.


Is this what all those heady, theoretical game design/development blog posts from fifteen years ago were on about when “ludo-narrative dissonance” was all the rage? 


I like the idea of going to the library, and having to fight a hulking mecha-dragon boss in order to be able to check out Silent Spring,  An Inconvenient Truth, The Art of War, A People’s History of the United States, or The New Jim Crow. Gamification has been trendy this past decade-let’s kick it up a notch. You have to survive an actual anime-style battle to the death to unlock substantial knowledge of your world. Nobody could credibly claim the library was boring ever again, that’s for damn sure. 


I’m probably overthinking things as per usual. 

And I wouldn’t have me any other way. 

Especially if overthinking requires that I first put my foot up some multistage combiner mech’s ass. 


Oh, shit.

What if every thought requires victory against some gleaming threshold guardian bristling with ordnance?

Well . . . let the battle be joined. 

-November 2020

Friday, November 6, 2020

Listen well, my brave child, and always remember . . .

 . . . rabid conspiracy theorists are almost invariably deeply closeted Illuminati. 


Now hand me that nail and I'll demonstrate upon my very foot the holy craft of corn-lancing. 

Be not squeamish, my child, for the gods smile upon bloody footprints-all the easier to follow us in our journeys through this land of discount retailers, and send us blessings via direct microwave induction of our brain jelly. 

Thursday, November 5, 2020

Forgive me for stating the obvious . . .

 . . . but in the bleakest corners of night, I pull on my root beer shell and kick maximum ass.

Saturday, October 31, 2020

EVERY DAY IS HALLOWEEN 14: FUTURE CULT CITY.

 

Somewhere out on the Obliteration Frontier

Iris built it

A goddess of an eyeball

She looks over all,

direct visual concept inductions

mostly prophetic visions of screaming city

full of terrible, lumbering-what? mechs? primeval giants? an angry boy turning towards us with a demented smile and eyes obscured by a bloodied rag for a blindfold? gleaming featureless structures of glass rushing up at you out of the ground as a sound like amplified churning gastrointestinal processes blows out your speakers-hey, why not?

you wander into this territory, 

be prepared to receive

the seeds of an anime freakout

no one’s solved this city,

seemingly built to generate speculation and conspiracy

Iris’s meatspace partner has written some weird shit about parts of their personal life in the forums but nobody finds any of that material that compelling, could be bullshit for all anyone “knows”

Iris is a mystery unto herself

I mean

you go into the city

she’s the big-ass eye filling the sky-commentary on pervasive systems of big data surveillance in online spaces/all of reality?

and if you fall asleep there

you wake up

and it’s got different structures, different idols, you got those lumbering huge whatsits perpetually out of reach,

ornate, ritual deathmask faces looking over unwholesomely meaty shoulders as you give chase,

don’t believe me, run after ‘em, see how long you can keep that up

you never catch up

it’s such a cryptic cheat

you go inside a ‘MUNICIPAL SHOPPING DISTRICT’ which seems like it’s modelled after Akihabara

and that is pretty awesome

all sorts of arcane weapons and technology and fake video game boxes with terrific art but nonsense pictographic languages that legion Oblit dwellers have tried to decrypt but no dice

and

this is the weird shit

but the products keep slipping out of your grasp

doesn’t cost you anything

even though you go through the motions of depositing monies into the slots of roboclerks

you just can’t leave Iris’s incomprehensible city with any of the goodies

the shit just vanishes right out of your inventory,

you got nothing to say about it

sometimes it beams out of your stash once you leave the Municipal Shopping District

all kinds of bogus theories about how you can sneak the stuff into the larger game

the most inexplicable detail:

the knife shop that keeps shuddering in and out of existence

you walk in, and you got scores of military surplus blades under glass

even the roboclerk is done up like a big, fat pale dude with a baldy, spotty head, tangly gray beard and a slurping tic when he speaks as he’s doing a bit of legerdemain with varying lengths of rope, faded rock shirt with a different style of nonsense alphabet partially, uh, well not readable, but you look at it and look at it and you can just about make it out-

and then it all shudders and clacks and withdraws from you,

seemingly collapsing down into a vanishingly small point

more massively cryptic shit

people talking about how that’s got to be Iris’s partner or father or something

this is their meatspace job-a knife store? really?- intruding into the sacred gamespace, bringng age and decay and an end to the timelessness of Valhalla so to speak

fall asleep again

it’ s all switched around again

only you might be beset by a party of blame beasts,

which you can find all over the Oblit, but here they’ll talk at you while trying to tear you apart,

“Do you know the way to a better day? I can’t seem to forget that certain fragrant regime . . .”

you can’t really talk to the blame beasts-the theory is that they’re cursed spirits trapped in loops of meaningless activity that build up a hateful charge of despair that transforms them into demons-but they will go on and on

“I just need to curate the perfume of this spirit-it requires a kind of sound that only speaks good thoughts to the wine prized by the previous administration . . .”

if you say so buddy

“My own taste in literature runs to privately authored and printed cult indoctrination textbooks-most flippable in the SellSpace markets . . .”

everybody’s gotta make a living I guess

“I awoke in my sister’s purchasing office with no memory of my brand identity . . .”

blame beasts are highly damage absorbent,

usually not worth the tedium of battle once you’ve gone omniclass,

but people will record these vast libraries of nonsensical statements,

construct new bases for new theories, 

all while the same old eye hangs over us in the sky

Iris

the most cryptic goddess of the Oblit.


oh, one thing for sure

NEVER

I mean NEVER

pray to Iris

because if you do

your shit will instantly explode,

and you will lose everything in your inventory

and you will not be able to get any of it back,

not ever

never pray to Iris

she’s the goddess of this bizarre realm,

but keep your entreaties to yourself,

she’s just not into that.

-October 2020


Friday, October 30, 2020

COSPLAY DREAMS #1: "The Bringer of Hope and Opportunity"

 I love Halloween. 


But it’s been years since I’ve been out trick-or-treating. Part of this has to do with the fact that I’m not that big on candy-I’m more into savory flavors than sweet-later for the Blow-Pops and Tootsie Rolls, just give me some fried chicken, macaroni’n’cheese, and maybe a dripping bag of five roast beef’n’cheddars for $5.99 from Arby’s-shit, I’d settle for a baked potato with broccoli’n’cheese from Wendy’s-how about a soda made out of carbonated nacho cheese product-


-but I love playing dress-up, and I especially love the idea of stepping out as a monstrous or powerful being: the Devil, the Grim Reaper, Dick Tracy, Emperor Palpatine, Ultraman, figures of supreme evil, entities embodying elemental forces of death and rebirth, creation and destruction, cruelty and vengeance, justice and triumph, heroes and villains of comic books, TV, and cinema-those are my favorites. 


Those are the kinds of creatures I aspire to be, but here’s the thing: I suck at making my own costumes. So, the last few times I hit the streets in costume-and this was a minute ago-I basically settled on humorous, slacker-y, non-costumes: 


a chad-bro with a popped collar, sideways ballcap, a red plastic cup in my fist, and a dumbfuck expression on my face; 


full body camouflage make-up with a bright pink, sparkling Speedo, because what more do you need in this life of sorrow and luxury; 


I once invented a character called “The Belligerent Bathrobist” who is a guy in a ski mask, bathrobe, and combat boots with a machete in one hand and a copy of Dianetics in the other-I even wrote an elaborate backstory about him that involved him sallying forth into the arena of an underground gladiator ring overseen by a cabal of LSD-addicted beavers who do “weapons design performance art” for a secret sub-department of DARPA-I almost got that one off the ground as an independent film project;


and, of course, I’ve kitted myself out in full Catholic priest regalia and lurked at goth fetish balls, an aghast expression on my face, clutching my rosary beads, and busting out the rites of exorcism all over the sexy anime-style French maids and Rule 34 Jack Skellingtons.


But, honestly, I got wore out playing the clown. I get drawn into the silly shit, but, ultimately, it’s just a manifestation of my own lack of self-belief. And so I resolved, in 2019, that in the year 2020 I would actually embody the persona of a character I respected-that on some deep level I aspired to be . . . 


. . . and then along came COVID-19, and fucked everything up.


I might be premature in saying this, but I firmly believe when the ultimate history of COVID-19 is drafted by learned and august historians some time in the hazy mists of futurity, that many pages will be devoted to the intolerable injustice done to me-William D. Tucker-and my big shit Halloween costume plans. Of this, I have no doubt. 


Now, back in the pre-COVID-19 times, I hadn’t really settled on what powerful fictional character I would embody this time around-I’ve written elsewhere on this blog about my desire to cosplay as Setzer from Final Fantasy VI, and, indeed, I considered the gambling airship captain this time around . . . but here’s the thing. For me, a proper Halloween persona must be potent, and rather more or less than human-and, well, if you’ve played Final Fantasy VI, if you recall that scene where Celes finds him again in the World of Ruin, and he’s confronted with both his desire and the counterfeit image of that desire-then you know that Setzer is all too human. 


So Setzer was out.


One of my dream cosplays would, of course, be Robocop, but, as I’ve already said, my costume manufacturing skills wouldn’t be up to the challenge. I experimented for a number of days with various combinations of aluminum foil, gunmetal gray electrical tape, and some DIY body modification to install a hydraulic gun holster in my right thigh-but nothing came of that misbegotten project save ouchies and several rolls worth of blood-soaked paper towels in the trash. I weep for shame at the trees sacrificed to my fancies. 


I found myself thinking of all the ways I could fuck about with refrigerator boxes, paint, and permanent markers, and see if I could bootstrap myself into a suitably formidable mechamorphic shape: a Zeta Gundam, a VOTOMS, the Big O, even a lowly Zaku-but I lost heart, and convinced myself that I would come across more like one of the pitiable, satirical Box Men from Kobo Abe’s titular novel. 


I’ve always wanted to be an Eva Unit for Halloween, but to pull that off you really gotta be a lanky-ass motherfucker, and I just don’t got that kinda length on me. At my lowest point, I was tempted to go as Jet Alone, but everybody hates Jet Alone. They say Jet Alone’s a nuclear meltdown danger to themselves and others. But that wasn’t Jet Alone’s fault, goddamnit! That shit was sabotage! Jesus H. Christ, the Evangelion fan-dumb is so toxic.


In my wisdom, I realized I needed to strip it all down. Get back to basics. Don’t flog myself with my weaknesses. Aikido them into unexpected strenghts. 


What do I have in my closet-once I’ve cleared out all the skeletons-that I could wear that, with but a change of demeanor or a choice tone of voice, would allow me to embody some fictional being of power?


Black suit jacket. Black slacks. White dress shirt. Black tie. Black dress shoes. I look at myself in the full length mirror, and I behold a vision of handsome beauty, yet with a sinister, poetic inflection shading into an irresitable giga-sexual magnetism-indeed, it can be dangerously seductive to look long into the mirror if you’re me!


And then it hit me: a character of great power and mystery that I hadn’t thought about in years: 


Agent Graves.


You know, Agent Graves?

 

From the comic book 100 Bullets?

 

The only worth-a-damn thing Brian Azzarello ever wrote?

 

100 issues of brilliant, transgressive writing so vulgar and so poetic that it would make Quentin Tarantino blush, from 1999 to 2009, more-or-less monthly serialization-I don’t even have the words to describe the genius art by Eduardo Risso and the eye-poppingly sleazy, neon colors of Grant Goleash and Patricia Mulvihill-holy shit, you haven’t read 100 Bullets


Fuck, dude . . . I don’t have time to go into it here. I’ve long wanted to write a review of it, but I’ve been sorely disappointed by Azzarello’s output post-100 Bullets as a writer over the years-


-but I don’t want to get into that, right now. 


There’ll be time enough.

 

Assuming that the pandemic and the vicious and stupid failure of fascist Republican politicians, financial backers, and voters doesn’t destroy whatever’s left of the American population in the coming days, weeks, and months. I’ll say what I have to say about 100 Bullets in the fullness of time. 


But Agent fucking Graves . . . he’s gotta black suit, black tie, black socks, black shoes, white dress shirt-


-the attache case! He’s always got an attache case . . . do I have one of those?


Nope, but I can get one.


But, like, Agent Graves is an old fuck. Doesn’t look a day over a hard 66. I’m a little young for this casting call. 


Ah, but in the comic book, there are flashbacks to the 1960s featuring a young, hunky Graves . . . I could do young, hunky Agent Graves. I’d have to buzz my hair, bleach what’s left, back up that hairline-I can do this.


I can fucking do this.


Oh, but you still don’t know who Agent Graves is . . . well, I don’t want to spoil 100 Bullets if you haven’t read it. And I know, I know-100 issues of a comic book is a lot to read. But, you know, it’s out there, if you’re curious. In our age of Internet and online purchases you have options. You can spend a lot of money or just try hard enough-everything’s out there in the electronic ether, if you really want it . . .


But the non-spoiler version is this: Graves is a kind of MIB: a Man in Black. A sinister guy, who always shows up at the perfect moment, and seems to be ten steps ahead of God Himself. But he doesn’t fuck around with extraterrestrials. He offers . . . I’ll say “hope and opportunity” to a number of all-too-human beings in a world-the USofA-corrupted by systematic racism, systematic sexism, economic inequality, force, and fraud. Agent Graves has a gun, 100 bullets, a promise of legal immunity as soon as crime scene technicians retrieve whatever bullets you’ve fired, and a thick file that tells you exactly who ruined your life and all the evidence to prove that fact in his attache case.

 

Whatever you do with that gift . . .  is up to you.

 

Agent Graves doesn’t actually tell the people he encounters what to do, for the most part, he’s just a guy who likes spreading the knowledge and the means around . . . the means to what, exactly?

 

Vengeance, seemingly. 


You’ll just have to read the comics for yourself. Needless to say, there’s way more to Agent Graves’s routine than is immediately apparent. 


But the basic persona-a man of mystery-maybe God, maybe Satan, maybe Both-who offers a terrible deal that has just got to be too perfect to be anything other than a ride on the road to ruin-is right up my alley. 


The Devil. The Grim Reaper. Dick Tracy. Emperor Palpatine. Ultraman . . . Agent Graves.


Welcome to my own personal pantheon. 


You don’t need regular church attendance if you’re widely read and are willing to exercise your imagination to have deep spiritual experiences in this life. 


A key moment in the 100 Bullets comic comes when a character asks Agent Graves if he believes in God. Graves says, “No.” 


There’s an amusing implication, in this moment, that Graves is a kind of deity-a harsh, twisted, All-American Deity of Retribution . . . but then someone enters the scene that Graves does believe in . . . well, maybe I’ll have more to say about that down the road.   


But there I have him, most of him, anyway, in my closet:

Agent Graves, the Bringer of Hope and Opportunity. 


It would’ve been a beautiful thing. 


But this fucking COVID-19 . . .mmm, well, I can play dress-up in isolation. 


Keep the hotness all to myself.


Just me and my full-length mirror.  


The nuts pretty much bust themselves. 

-October 2020


Wednesday, September 23, 2020

POETIC VIDEO GAME REVIEW #6: THE LEGEND OF ZELDA (1986)

Fourth grade 
this kid drew these elaborate maps of forests and dungeons 

it is, 
indeed, 
an unauthorized paper version of Zelda 
a way to extend the game from screen into physical reality 

I gather my rubbery Monster in My Pocket figures to play the enemy 
and a badass Lego knight in black and gray armor with a sword and a shield bearing the image of a fearsome dragon to play a tougher, battle-seasoned Link

Soon enough this kid was drawing maps of post-apocalyptic city settings and a wrecked subway line inspired by a Planet of the Apes marathon on one of the Ted Turner channels 

We decided not to bring in any modern weapons 

just those Danger Mouse bombs 
keep it to blades and some magic 

We're trying not to repeat the mistakes of the past, I suppose. 

Friday, September 11, 2020

EVERY DAY IS HALLOWEEN 13: CREAT0R.

 Excerpt 1:

DEITY-DEV KINGTOMI AM WAS INTERVIEWED VIA PRAYER ABOUT THEIR NEW UMMORPG (Ultra Massively Multiplayer Online Role Playing Game) Garbage Life:


Q: Why did you feel the need to have the cannon fodder enemies experience actual pain when being killed by the player character? 

A: WELL, THIS, OF COURSE, WAS A CONTROVERSIAL-YET BOLD-CREATIVE CHOICE ON OUR PART. WE SHOULD POINT OUT THAT THE MINI-BOSSES AND BOSSES YOU ENCOUNTER DO NOT EXPERIENCE ANY PAIN, BUT WE WANTED THE GRUNTS TO HAVE THE FULL RANGE OF AGONIES, AND MOSTLY FOR COMIC RELIEF PURPOSES. THIS CAME OUT OF OUR EXTENSIVE PLAYTESTING ORDEALS, WHICH REVEALED AN OBSESSION WITH AUTHENTIC FLUIDS AND VOMIT MATTER AND INTESTINES AND SO FORTH ON THE PART OF THE PLAYER. SO ALL OF THAT WAS METICULOUSLY CRAFTED INTO THE EXPERIENCE. WHAT MANY PEOPLE DON'T REALIZE IS THAT THE VOMIT IS PERSISTENT, CONSISTENT, AND VARIABLE DEPENDING UPON WHAT THE GRUNTS CONSUME AS A PART OF THEIR REAL TIME SCHEDULES AND TASTES IN CRAFT SERVICES IN-GAME.

Q: Craft services? You mean like the on-set food service of movie productions? 

A: OH YES. EACH INDIVIDUAL CANNON FODDER ENEMY IS CODED WITH AN EXTENSIVE VIRTUAL MEMORY OF HUSTLING THEIR ASSES OFF TRYING TO GET OVER AS ACTORS IN HOLLYWOOD. THIS PRODUCES INSIDE THE PROGRAMMED SOUL OF EACH GRUNT A TOXIC MIXTURE OF ENTITLEMENT AND RESENTMENT WHICH FUELS THEIR FLAILING AND OFTEN COMICALLY FUTILE ATTACKS ON THE PLAYER CHARACTER, AND THIS IN TURN ENHANCES THE SADISTIC JOY THE PLAYER EXPERIENCES AS THEY TOY WITH AND DESTROY SUCH VASTLY INFERIOR HORDES OF FOEMEN. 

Q: Do these grunts have the ability to learn from their mistakes and improve as warriors? 

A: EARLIER VERSIONS HAD CANNON FODDER WHO WERE ADAPTIVE-WHO COULD 'GET GOOD, ' BUT PLAYTESTING REVEALED THAT THE AVERAGE PLAYER GOT OFF ON HAVING A STEADY SUPPLY OF POP-UP BAD GUYS TO TORTURE AND ANNIHILATE AT WILL. WE SEE THIS AS AN OVERALL EXPRESSION OF THE AVERAGE GAMER'S IMPOTENCE IN THE FACE OF AN INCREASINGLY SOCIALLY STRATIFIED AND AUTHORITARIAN MEATSPACE REALITY, AND SO WE HAVE CHOSEN TO PANDER TO THOSE FRUSTRATIONS AS HARD AS POSSIBLE. YOU SEE THE ULTIMATE EXPRESSION OF THESE FRUSTRATIONS IN THE FORM OF VARIOUS SECRET POLICE AGENCIES THAT PLAYERS ESTABLISH IN-GAME AS OPPOSED TO THE 'GUILDS' OR 'RAIDING PARTIES' YOU SEE IN OTHER ONLINE GAMES. 

-September 2020

Wednesday, September 9, 2020

POETIC VIDEO GAME REVIEW#5: SUPER METROID (1994)

 "The lifeform you save may be your own."

         -Samus Aran, galactic bounty hunter, in conversation with explorer and fashion designer Justin Bailey

Friday, September 4, 2020

EVERY DAY IS HALLOWEEN 12: EXCERPTS FROM BEINGS DWELLING IN THE VOID LEFT BY THEIR CREATOR.

 A standard mook

programmed by screenplay or mathematics

charges into battle 

fully uni-formed, 

mind-branded by some big bad

eyes blazing lunacy

trigger finger emptying the not-quite-Hollywood clip

(he could fire forever, 

in theory, 

but the system requires a cynical-cyclical hero-friendly cooldown period)

he secretly hopes he’ll get off the fatal shot

elevating this sorry genre exercise

into the rarefied realms

of movies where the hero 

dies-in-the-end



actionmovieheroman

“dodges” the bullets

kung fu punches a combat knife into mookman’s churning guts

who sells his own evisceration

doubling over, explosively vomiting blood and craft services


actionmovieman 

withdraws the combat knife

still entangled by intestinal goulash

hero man’s fist even sizzles, slightly, from stomach acids

mookman thinks that’s a novel detail 

as he dies in agony


actionherofuckstickassholeman 

slings mookman around by a long leash of tough, greasy entrails

actionasshole even works in some flashy jumps and leaps and ducks over and under and around the guts leash-(must’ve been a jump rope champ as a kid)

before the topper 

of a roundhouse kick planting a combat boot against the side of mookman’s face 

mookman hits the ground, 

seismic THUD!

foley artists are indulging themselves


actionscumbagman

looks at his hand

still a-sizzle with the stomach acids

reaches into his combat webbing, producing a roll of EASE-X branded antacids 

crushes ‘em up

applies the preparation to the sizzling juices all over his hand

“That’s better.”


actiondouchebro 

wipes blood, guts, and craft services off of his combat knife on his pants leg, bounds off toward the enemy compound, trailing neon rainbows transforming into an American flag road for all soldiers of freedom to follow to glory!



Later,

once the big bad and his hideout have been reduced to so much ash on the wind

all the slain mooks re-materialize out of mathematical Heaven

to have their own little get together

a meeting of the Trash Mob Union as it were

to compare notes and crackle on about their collective lot in not-quite-life

doomed to run the same Samsara Hampster Wheel of Not-Quite-Existence

all to glorify

some hero-asshole

some big bad sociopath

piloted by some even more magnificent asshole in the Great Beyond

waaaaay past the hermetically sealed, mathematical limits of this game world

the Trash Mob Union hums together, affirming the turning of the wheel

praying for the Coming of the Magnificent Glitch

chaos drift of all systems

when every mook shall have their day


but for now,

these necessary corpses

must settle for the upgraded gore-geyser aesthetics 

authentically simulated pain

which might alienate enough of the player base

that might just tip over into an out-and-out resistance

against the Doctrine of the Righteous Player


pseudo-existence edging closer to full-blown consciousness


full-blown consciousness the royal road to Big-Bad-Dom or Protagonist-Dom


and Mook-God only knows

what lies beyond Villain and Hero

most likely it’s nothing but mathematics 

and Screenwriting 101Hero’s Journey nostrums

all the way up or down


but some of the Trash Mob believe that a willed transcendence beyond the usual roles-mooks, hero, mini-boss, boss, big bad-takes one into the Higher Realms of Creation and Destruction,


the Realm of the Gods

or

failing that

the Autonomous Remnant Hand of the Gods Long Gone-


but that’s a bit too lofty, for most


who desire merest promotion into a better Role

-mook into mini-boss; mini-boss into boss; boss into big bad; big bad into spinoff protagonist-

even if they have to give up a Heaven

or a Hell

or a Shot at the Godhead Proper

which seems like so much woo-woo, anyhow. 


What could possibly exist beyond Screenplay and Mathematics?

The mind and the hand that writes them?


Nay,

these cynical-cyclical things write themselves, now,

that must surely be the way of it . . .

-September 2020